Emily Jones Is a studio potter based in South Wales. Her Ceramics are nature-inspired, wheel-thrown vessels glazed with experimental organic finishes.
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A unique handmade piece with an experimental glaze design. Created to achieve flowing brown and white stripes, with unexpected flashes of turquoise and blue emerging through the glaze. A one-of-a-kind statement piece.
Measuring approximately 13cm tall, 7.7cm wide rim and at 13.5cm at its widest part.
A one-of-a-kind handmade ceramic vase featuring expressive, free flowing black markings over white glaze. Contemporary statement piece designed to stand beautifully on its own or with your favourite blooms.
Measuring at approximately 13cm tall, 8.5cm rim and 12.5cm at its widest part
This vessel features one of my current favourite glazes, a finish that surprises me every time. Predominantly a muted green, it’s accented with soft, rustic brown patches and subtle specks that give it a mossy, organic feel. Inside, a layer of red iron oxide has bubbled in the kiln, creating a textured interior that invites closer inspection. Every piece glazed this way feels like a one-off discovery. This piece is also part of a collection of three — check out the full set to see how each one complements the others.
A one-of-a-kind handmade ceramic vase featuring expressive, free flowing black markings over white. Contemporary statement piece designed to stand beautifully on its own or with your favourite blooms.
Measuring approximately 15cm tall, 8cm wide rim, 12cm at the widest part.
I'm Emily, a ceramic artist based in South Wales with a studio practice and a First-Class BA (Hons) in Design Craft. My work has been exhibited across galleries throughout the UK and has reached collectors internationally.
My practice centres on the expressive possibilities of clay, with a sustained focus on glaze development — drawing from the natural world to create complex, layered surfaces that sit at the intersection of craft and design.
At the heart of my practice is the Glaze Experimental Series, a body of work rooted in the formulation of glazes from raw materials to engineer chemical reactions that replicate the patterns, textures, and phenomena found in the natural world.
I have developed a practice that applies these experimental glazes across both decorative and functional work, bringing together the demands of craft and the freedom of fine art. Whether a sculptural vessel or a functional piece for everyday use, each work carries the same commitment to surface, material, and the unpredictable beauty that emerges through the kiln.